Synopsis: Charlie has just been freed from prison. What's the first thing that he does? Breaks back into prison to talk to his boss about planning another heist, a job he heard about in prison. He gets his group together and then makes his plan. A shipment of gold has just entered Turin from China. To get it, they devise an ingenious plan that rivals the brilliant heist in Ocean's 11. In this plan, they will cause a city-wide traffic jam and then move the gold out via a group of Mini Coopers. Why Mini Coopers? To drive in small places the cops can't follow. But, as it turns out, the cops are the least of their worries once the plan is under way...
Acting: Although the remake focuses on a small group of thieves, the original is so chocked-full of extras and minor characters that the only focus is on Charlie and his boss. Charlie, played perfectly by Michael Caine (Batman Begins), does a perfect job balancing the British charm, wit, and awkwardness that the film calls for. The film has a silly tone, which Caine plays well off of with his character's brilliance and his overall laid back approach to acting, similar to Clooney's Danny Ocean in Ocean's 11 (but obviously uniquely British). Legendary actor Noel Coward (Around the World in 80 Days) plays Charlie's boss, and really is not effective in his role. Neither are the rest of the actors here, but again the acting is not why you are watching this movie, is it? (18/25)....all for Caine
Plot/Script: To put it simply, the script needs to be streamlined. The complications the audience are introduced to are not adequately explained through the dialog. Plus, since you are only really drawn into the film once the action starts, the actual plot and back story are easily forgotten. Its almost as if they added the whole first hour of the film in order to just add length rather than to add importance or build up to the final chase. Indeed, this is a problem that plagued many films in the 60's anyway (for example; Casino Royale or Ocean's Eleven), so the focus on having fun rather than anything making sense is more of a byproduct of the times rather than an oversight of the film makers. It is a product of the times. That being said, the final chase scene is brilliant in all aspects. I'm glad they put effort into something worthwhile. The movie also has a perfect ending with one of the most memorable ending lines of all time. (16/25)
Direction: Director Peter Collinson (The Spiral Staircase) directs in a way that is typical of other 60's movies. Lots of panning zooms, quiet establishing shots, and bright colors. The chase scene is brilliantly directed. The camera motions are fluid, encompassing all of the action. What I often find with early (60's and early 70's) action scenes is that the direction is so choppy and details are so inconsistent that it is difficult to figure out what is going on. Although there are some glaring detail goofs, Collinson for the most part is able to present the audience with a clear picture of what is going on during the chase scene. He makes it fun, sophisticated, and goofy all at the same time. (19/25)
Special Effects/Music/X-Factor: The stunt work and overall amazing spectacle in the final heist is quite an accomplishment. Its almost no wonder that the rest of the movie feels so empty because you can clearly see where they spent most of their time. The chase scene in the remake is no comparison. I don't particularly remember anything good or bad about the music, so I won't comment about that. Obviously the X-factor is the movie's complicated but well executed heist; a real fore bearer and inspiration to the action movies that would follow in the next 2 decades. (25/25)
The Verdict:
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(2 votes, score: 4 out of 5)
